Author Topic: Veteran filmmaker K Balachander passes away  (Read 1545 times)

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Veteran filmmaker K Balachander passes away
« on: December 24, 2014, 09:22:58 AM »
Veteran filmmaker K Balachander passes away



Veteran filmmaker K Balachander(84) passed away yesterday in Chennai.

The director who had age related ailments was under treatment for more than two weeks but yesterday his condition became critical and hospital sources confirmed that the legend is no more.

Balachander is a National award winning director who introduced many film personalities including Rajinikanth, Prakash Raj, Vivek, Ramesh Aravind and is also a guru to Kamal Haasan.

K Balachander has directed more than 100 films in Tamil, Telugu, Kannada and Hindi. The veteran also acted in Kamal’s soon to be released Uttama Villain.

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Legendary Tamil filmmaker Balachander passes away
« Reply #1 on: December 24, 2014, 09:28:56 AM »
Legendary Tamil filmmaker Balachander passes away



Chennai: Legendary Tamil movie and drama director, screen writer and producer K. Balachander passed away here Tuesday, his manager said. He was 84.

Balachander was ailing for some time and was admitted to the Kaveri Hospital here where he breathed his last.

He was suffering from a urinary infection and other age-related ailments.

The auteur's manager confirmed the news.

"Balachander sir passed away. He was recovering well over the last few days but his condition deteriorated this (Tuesday) morning," he told IANS.
 
Balachander had over 150 films to his credit, including "Aval Ora Thodar Kathai", "Avargal", "Varumayin Niram Sigappu" and "47 Natkal".

He was also instrumental in bringing talents like Kamal Haasan, Rajinikanth, Saritha and Prakash Raj to the industry.

Dubbed "Iyakunar Sigaram" - or director's peak - Balachander was born in a Tamil Brahmin family in 1930 in Thanjavur district.

At an early age, he was attracted to theatre and drama and took part in stage plays.

After graduating in zoology, Balachander joined the Accountant General's office and pursued his theatre interest with the United Amateur Artistes, a drama company.

Later, he started his own drama company and his play "Major Chandrakanth" became a hit.

After entering the tinsel world, Balachander made the play into a movie which was also a big hit.

Many of his hit movies were earlier stage plays like "Server Sundaram", "Neerkumizhi" and "Mezhuguvarthi" among others.

All his dramas and movies revolved around middle class characters and involved a lot of inter-personal relationships.

He made his debut in the Tamil movie world with "Neerkumizhi", starring comedian Nagesh. It was followed by movies like "Major Chandrakanth" and "Bama Vijayam".

Soon Balachander started making movies based on social and family issues, some of which were revolutionary in those times.

His "Arangetram" movie revolved around a Brahmin girl's poverty and her getting into prostitution to sustain her family.

It was in this movie that Kamal Haasan played his first adult role.

Another notable film by Balachander was "Abborva Ragangal".

The story revolved around a youth (Kamal Haasan) falling in love with a women several years elder to him. The women's daughter (Jayasudha) was attracted to Kamal Haasan's father.

It was in this movie that Balachander introduced Rajnikanth.

His movies "Moondru Mudhichu" (starring Kamal Haasan, Rajinikanth and Sri Devi), "47 Naatkal" (starring Jayaprada), "Avargal" (Sujatha) and "Aval Oru Thodar Kathai" (Sujatha) were also famous.

Balachandar's Hindi movie "Ek Duuje Ke Liye" was where Kamal Haasan and Rathi Agnihotri made their Bollywood debut.

Balachander was also involved in television serial production in the 1990s.

He was also instrumental in launching the careers of actors such as Saritha, Sujatha, Vivekh and Prakash Raj.

Vivekh posted on his Twitter page: "My mentor gone! My radical lion is gone! The peerless legend is gone! I have lost my dad again."

Balachander also made a few Telugu films like "Anthuleni Kada", "Thoorpa Padamara", "Marocharitra" and "Guppedu Manasu".

In Hindi, he directed "Aaina", "Ek Duuje Ke Liye" and "Ek Nahi Paheli".

Most of his films in other languages were remakes of his own Tamil films.

Balachander was a recipient of the Dada Saheb Phalke Award. He was awarded the Padma Shri in 1987.

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K Balachander: A master filmmaker who nurtured talents
« Reply #2 on: December 24, 2014, 09:32:34 AM »
K Balachander: A master filmmaker who nurtured talents



Filmmaker K Balachander scripted a new genre of films that excelled in bringing complicated interpersonal relationships and bold social themes while nurturing future talent as a tough taskmaster.

He had unparalleled impact both in celluloid and on the small screen by championing stories about women empowerment and social issues besides introducing stars like Rajinikanth, Kamal Haasan, Saritha, Sujatha, Mohan and Prakash Raj, some of whom have become legends in their lifetime.

The Dadasaheb Phalke award-winning filmmaker, 84 died from age-related illness.

One of the rare personalities in the Indian film industry, KB or KB sir as he was known, mastered the art of filmmaking by drawing his storylines from social themes and family issues.

A pioneer in making women-centric films, Balachander captured heroism in the lives of ordinary women in south Indian cinema, which were rare in the 1960 and '70.

He gave hits like 'Arangetram', 'Aval Oru Thodarkadhai', Rajini and Haasan-starrer 'Apoorva Raagangal', 'Avargal', 'Ek Duje Ke Liye' and 'Aaina'.

Born in Thanjavur in 1930, Balachander developed an interest for films when he was just nine years old. He nurtured his interest during his college days in Annamalai University at Chidambaram, where he did a bachelor's in Zoology.

He had a brief stint as a teacher and a clerk but these could not keep him away from his real passion - cinema.

Though he took up a government job at Accountant General's Office, he continued his experiments in theatre and wrote dialogues for 'Deivathai' in 1965.

It was a mere coincidence that he ended up writing the script for 'Major Chandrakanth' which turned out to be a huge success. It was such a hit among the audience that the hero of the film Sundarajan came to be known as 'Major' Sundarajan ever since.

 Balachander often courted controversy by making socially unthinkable films starting with 'Apoorva Raagangal' (Rare melodies) in which he examined inter-generational romance.

'Arangetram' released in 1973 was another such film, which speaks of a Brahmin girl, who was forced into prostitution to take care of her siblings. Though these films did stir controversies, they are counted among his best works.

His 'Bama Vijayam', 'Sindhubhairavi', 'Varumayin Niram Sivappu' and 'Thanneer Thanneer' are some of the other notable films in the history of Tamil cinema.

Balachander continued to make hundreds of films in Tamil, Kannada, Malayalam and Telugu, with his trend-setting scripts and went on to create a niche for himself in the industry, winning nine National film awards.

He also ruled the small screen, besides creating box office hits in the celluloid world. His serials 'Rayil Sneham' and 'Kai Alavu Manasu' rightfully capitalised on the space television was offering at the time when visual media at home was gaining momentum among the people of Tamil Nadu and was making considerable social impact.

The government conferred on him the prestigious 'Padma Sri' in 1987 and the coveted 'Dadasaheb Phalke Award' in 2010.

Hailed as 'Iyakkunar Sigaram' (Director who scaled the peak), Balachander introduced two of the most influential actors in south Indian cinema.

It was in his film 'Apoorva Ragangal', Balachander shaped superstar Rajinikanth out of a Bangalore bus conductor Shivaji Rao Gaekwad.

'Apoorva Raagangal' was also a breakthrough for Haasan, who was known as a child artiste till then.

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Film fraternity plunges into gloom over Balachander's death
« Reply #3 on: December 24, 2014, 09:36:01 AM »
Film fraternity plunges into gloom over Balachander's death



Chennai: The Indian film industry Tuesday plunged into gloom following the death of legendary Tamil filmmaker K. Balachander.

KB, as he was fondly called by his fans, died at a private hospital here due to urinary infection and age-related ailments.

Many film personalities took to Twitter to share their grief.

Prakash Raj: Thank u kb sir for changing my life. For the moments. Learning n unlearning. I'm crying out loud in pain. Will miss u my MAN. Love uuuu.
 
Khushbu: Too grief stricken at the demise of KB sir. U know few mean a lot to u but u realize how much only when they leave us. KB sir has left us completely heartbroken.

Amala Paul: The film industry loses a legend! K Balachander sir is and will be one of the most inspiring filmmakers that I knw. A legend rests in peace.

Sibiraj: Rip K.Balachander sir! His demise is not only a loss to his family but to the entire Industry.

Madhur Bhandarkar: Sad to know of d demise of K Balachander. A genius storyteller, his gems Ek Duje Ke Liye & Zara Si Zindagi will keep his legacy alive. RIP.

R. Madhavan: RIP K Balachander sir. You will be so missed. I can never forget you sparkling smile and warm handshakes.

Nani: Balachander sir is no more. End of an era. Bapu gaaru Balachander gaaru in the same year...We are so much more incomplete now.

Ram Gopal Varma: Want to express my heartfelt grief for the passing away of K Balachander, the only true maverick and path breaking director of all time.

Suresh Daggubati: It's very saddening to hear that legendary director K. Balachander garu is no more. May his soul rest in peace.

Lakshmi Manchu: K. Balachander sir RIP. You redefined cinema. You were one of the finest. A huge loss for the film industry.

Shruti Haasan: Rip kb sir. Such a big part of my family and my father's life and career - thank you for inspiring us with your great work and life.

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Balachander made women-centric movies: Jayalalithaa
« Reply #4 on: December 24, 2014, 09:38:13 AM »
Balachander made women-centric movies: Jayalalithaa



Chennai: AIADMK general secretary J. Jayalalithaa Tuesday said Tamil director K. Balachander made women-centric movies and would dwell on problems faced by them.

Condoling his death, Jayalalithaa in a statement issued here said the legendary director also made his mark in Hindi, Telugu and Kannada movies.

She said his stage plays - "Neerkumizhi", "Major Chandrakanth", "Ethir Neechal", "Naanal", "Vinodha Oppandam" - were hugely popular.

Jayalaltihaa said Balachander's death was a great loss to the movie world and the void created by his demise cannot be filled by anybody else.

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K. Balachander – The man who created a galaxy of stars
« Reply #5 on: December 24, 2014, 10:08:46 AM »
K. Balachander – The man who created a galaxy of stars



He has created more than 100 movies and started a new trend in Tamil serials too. Here’s a look back at his journey, who gave the, Superstar Rajnikanth and Universal Hero Kamalhaasan to our industry.

The man who popularly referred as, Iyakkunar Sigaram has started on his journey as screenwriter back in 1964 with ‘Dheiva Thai’. He doubled his potential with the cult classic ‘Server Sundaram’ in his sophomore effort. Soon he transformed himself into a director with one of his stage play ‘Neerkumizhi’.

Nagesh, who started his career as a comedian has found his feet as a character artist/hero from K.B’s lens. With ‘Ehir Neechal’ he bagged got the first recognition in the form of, TN state film award for Best Dialogue Writer. His stories dealt with people who possess strong will to climb the ladder with their skills. Unconventional themes, bold narrations, strong portrayal of women characters are his trademark style of film making.

In the era of, M.G.R & Sivaji Ganesan, K.B went on to direct Sivaji alone in ‘Ethiroli’ in his first decade of film making. He never ran behind the stars. He ensured that the content is the king and he portrayed people who deserve to be as the central character of his style of story telling.

After stamping himself as the best director with ‘Aval Oru Thodar Kathai’ which bagged the Filmfare award, he went on to introduce one of the biggest icons of Indian Cinema. Rajnikanth made his debut with ‘Apoorva Rgangal’ which fetched one more film fare award for direction and a National award of best feature film in Tamil. He started to shift focus to other languages such as, Telugu and Kannada, only to come back with a story which reflects the true face of our society even after three decades. The evergreen ‘Varumaiyin Niram Sigappu’,  which bagged Filmfare and TN state awards for him.

K.B wanted to free himself from serious themes and directed the tamil version of ‘Gol Maal’. Thillu mullu stands tall for its ultimate dialogues (penned by Visu) and natural acting by Rajnikanth till now. In 1981, he made the Indian cinema industry to turn towards his ‘Ek duuje ke Liye’ which is actually a remake of his own movie ‘Maro Charitra’ from Telugu.

Kamalhassan and Rati Agnihotri were really meant for each other and the movie went on to become one of the biggest blockbusters. The song ‘Tere mere beech mein’ sung by Lata Mangeshkar and S.P.B became viral even in the era where internet was unheard by Indian people.

In the same year, he voiced his opinion ferociously about the negligence of govt towards rural village. He made an Nostradamus effort by visualizing the pain for water scarcity which actually became the true scene for the entire state therafter. His next project is  an epic ‘ Sindhu Bhairavi’ features Sivakumar and Suhasini. The movie dealt with the waves of emotion of a Carnatic singer who falls in love with his ardent critic after his marriage. A tale of getting attracted for mutual intelligence has picturized so poetically.

He made his mark with his new age thinking in Tele Serials as well. His TV stint has had an extended view of his movies in the past. ‘Kadhal Pagadai’, ‘Premi’, “Rayil Snegam, “Kaiyalavu Manasu” and ‘Sahana’ were the notable ones. Apart from giving the Superstar and Ulaganaayagan, he introduced one of the all time great villian/character artist Prakashraj, Saritha, and a brilliant comedian of Tamil cinema, Vivek. Given his age, he will be the first one to appreciate a good movie even if it is from a newbie. If he had given a word to attend any function, he would be present under any cost.

His legacy is here to stay for centuries to come and addressing him as ‘Iyakkunar Sigaram’ is just an understatement. He might have left this world, but his creations are here to stay forever!

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A Black Hole in the midst of Tamil Cinema.
« Reply #6 on: December 24, 2014, 10:11:09 AM »
A Black Hole in the midst of Tamil Cinema.



Tamil Cinema’s brightest wall collapses. K. Balachander is undeniably one of the finest filmmakers of India. We may have lost a Guru but the abode of movies he has left behind will forever be ours. Art has been the target of many an idiot. Yet K. B. never hesitated to make films with complex characters or films that dealt with adultery, prostitution, terrorism; all of which were highly ahead of the time the films came out in.

His association with Kamal Haasan and Nagesh are study materials for film students and entertainment otherwise also. From theatre to films, and films to television serials, and vice versa, his strength is in not deviating from the subject he wishes to tell. His body of work is a large mix of genres. He produced Roja (1992), the National Award winning drama; directed Arangetram (1973) where a young woman is forced into prostitution to support her large family. That’s to recall his taste in films – diverse and poignant.



Kamal Haasan once said that Nagesh and Balachander’s mannerisms are so similar that one could be mistaken for the other. Probably that’s what worked in their favor. Nagesh starred in several films of Balachander’s films. Neerkumizhi (1965) is the directorial debut of K. B. It was based on a play written by himself and starred his twin from another mother. The association was instantly given a thumbs-up. They got together for Major Chandrakanth (1966), Ethir Neechal (1968), Poova Thalaiya (1969) and a lot more.

Writing / Direction is often a thankless job or so it is said. It pays less, that’s there as well. Kamal Haasan was advised to star in films and make money and then to become a filmmaker by the “Iyakkunar Sigaram”. A bank account with good enough money, a house and those human necessities (luxuries are to be counted for sure)… after these comes filmmaking said he. Kamal had to wait decades, hence. When he finally stepped forward to direct, Kamal told his mentor that he had bought a house, so, he could direct films from now on. The genius lives on!



Superstar Rajinikanth connects Tamil Cinema to the world in a way no particular Tamil film actor has. Rajni was the obvious pick for Apoorva Raagangal (1975). The rest is history. Prakash Raj, Vivek, Saritha, Ramesh Aravind and a beehive of actors – it’s still a wonder that one person could find such talent within a snap of the finger. He carefully swam under the bridge of commercial success and acclamation. Padmashri in one hand and Dadasaheb Phalke in the other.

An abode of films and awards has lost its master. Though loaded with richness, they look for their master in darkness. Certainly the loss is irreparable, but we’ll bring our hands together for one last time, for Uttama Villain. He passed away before he could watch himself on the screen.

We instead will watch it and try to pass on the message and remember the man–film maker of an unfurled generation.

Rest in Peace, Guru. May your films haunt us!

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KB sir is not only my guru, he is also like my father: Rajinikanth
« Reply #7 on: December 24, 2014, 09:10:34 PM »
KB sir is not only my guru, he is also like my father: Rajinikanth



Yesterday, veteran director K Balchander (84)  passed away at Chennai and celebrities are rushing in to pay last respects to the legend.

Rajinikanth who was introduced by K Balachander paid his last respect to his guru. Superstar said “KB sir not only my guru. He’s also like my father. He also saw me like his son and not like an actor”.

Superstar added “In front of me he lived like a human god. His loss is like I felt as I'm not here”.

Mean time, K Balachander’s another protégé, Kamal Haasan is on his way from USA where he was busy completing the sound mixing for his upcoming film Uttama Villain.

It is worth to recall that K Balachander has acted in Uttama Villain and it is his last film as an actor. Last week, Kamal said “I really wish to show Uttama Villain to KB sir” but sad that the legend passed away before that.

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Balachander was my father: Rajinikanth
« Reply #8 on: December 24, 2014, 09:22:22 PM »
Balachander was my father: Rajinikanth



Superstar Rajinikanth, who is shocked over the death of legendary filmmaker K. Balachander, said he always treated him like his father and not just as his mentor.

Balachander, 84, died at a private hospital here Tuesday following prolonged illness and age-related ailments.

Popularly known as KB, he was instrumental in launching the careers of Kamal Haasan and Rajinikanth.

"KB sir was not just my guru. He was my father as well. He also never saw me as an actor and treated me like his own son. He was like a god in human form and I feel lost in his absence," Rajinikanth said in his statement.

Balachander launched Rajinikanth in 1975 in a critically acclaimed Tamil film "Apoorva Raagangal", which revolved around a youth falling in love with a woman many years elder to him.

Rajinikanth and Balachander have worked together in over 10 films.

With over 100 films to his credit, KB's best films include "Aval Ora Thodar Kathai", "Avargal", "Varumayin Niram Sigappu" and "47 Natkal".

The filmmaker is likely to be cremated Wednesday. His body has been kept at his residence here for legions of his fans to pay their homage.

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'Who Is A Filmmaker?' by K Balachander
« Reply #9 on: December 24, 2014, 09:26:47 PM »
'Who Is A Filmmaker?' by K Balachander



Veteran filmmaker Mr. K Balachander, who passed away yesterday, was one of the most creative filmmakers in the country, having written, directed, acted in and produced films in 5 Indian languages and for over 40 years and introducing some of India's biggest stars including Rajnikanth and Kamal Hassan. He is also one of the few filmmakers who has been able to marry art and commerce in his films, without compromising on the film's voice, and is also known for espousing issues thought to be risky for a commercial filmmaker. The following is a transcription done by Satyen K. Bordoloi from an inspiring and insightful speech he gave at the 2nd convocation ceremony at L V Prasad Film and Television Academy, Chennai on 27th August, 2008. We hope it provides inspiration to filmmakers across the world.
 
Ladies & Gentlemen, Welcome to the Family of Cinema!

At the outset, let me congratulate each and every one of you who have successfully completed their respective courses in the chosen disciplines. Let me compliment you on receiving your diplomas and certificates and thus becoming officially qualified to be married into the family of Cinema! But let me warn you that it is only from now that your real education begins. For all of you who have chosen a vocation that is almost a way of life which is far different from most of the other options that are available today – far, far and very far.

An Engineer, for example, deals with facts. You however deal with fiction. A doctor deals with reality. You deal in imagination. A lawyer interprets rules. You create your own. A scientist deals with elements. You deal with emotions. Almost every other professional activity deals with the body and mind. You deal with the heart.

Every language that is spoken in the world has its own grammar. Cinema needs no language, leave alone grammar. Some of the finest films made in the world were from the silent era when Cinema had no sound. Lack of voice did not handicap the filmmaker then. On the contrary it made the visuals speak more profoundly in those silences.

Some of you assembled here will become very successful; some very famous; some very popular but believe me, all of you, each and every one of you will always be happy. Each and every one of you will always go to work – whatever be your discipline with a smile on your lips and a song in your heart, for, as it is said when you choose a job you love, you don't have to do an ounce of work in your life! You have all chosen a job that you love.

My advice to you from the authority of my age and experience is only this: Take everything as a challenge. Question everything that you don't believe. Change everything that you believe needs changing.

Do you know what differentiates you from the common man, the fan, the ordinary filmgoer? He watches Cinema for the WOWS, while you should watch Cinema for the HOW'S. While others may merely watch Cinema, you have to study it, for right now you are all equipped to understand and comprehend the soul as well as the science of Cinema better than the layman. When a normal person walks into a bookshop or a library, what does he see? He sees books, lot of books, but, we see ideas; we see thoughts; we see imagination; we see effort, we see perseverance; we see passion and above all we smell and sense the feel of joy and magic of creativity. We see the potential, the instrument to reach out unknown, unseen minds across time and touch them for just a little while with the heart. Which is why we never leave a Book half read – no matter how uninteresting or heavy it might seem to be, for it was born out of an idea and completed out of perseverance. It deserves our attention and respect. The same applies for a feature Film.

Please do not walk out of any film halfway because it is an insult to the maker, a brotherhood to which you now belong. For while most others go to Cinema for pleasure, you go to study. While most others go to Cinema to please their senses, you go there to satisfy your knowledge. While for most others it is a theatre, for you it is a classroom.

Just imagine how lucky you are! While other parents will caution their wards for watching too much of Cinema, yours will encourage you to watch Cinema. So watch Films- as many as you can. Watch the good, the bad, the ordinary and the indifferent. Study them, enjoy them, admire them, applaud them, discuss them, tear them, massacre them, decimate them but never ignore them. For, while others reach for the flesh and blood of Cinema you should aspire for its heart and soul. While others wait in the queues for three hours of popcorn joy, you search for a place in eternity for, believe me, when I say you are the luckiest and most blessed in the world. You are all merchants of joy. You are all creators of destiny. You are all painters, musicians, dancers, signers, story tellers. You are each one of these and all of them put together. You are all creators. You are in a special way almost God's.

To convert a thought into an idea, that idea into a story, that story into a script, that script into a screen play and that screen play into a visual and that visual into a moving picture – that is almost magic. That is what you are all going to become – magicians.

Cinema, my friends, is not merely entertainment, not merely dream merchandising, not merely suspended disbelief, not merely heroism, not merely romance. Cinema is not merely teaching or preaching either. Cinema is a slice of life, a sort of capsulated sample of a society. Cinema is a place of history, a sort of extended SMS of a civilization. Cinema is a baton and a torch from this generation to the next. Before sound and speech were recognized, before language was discovered, people still communicated. Before words were formed, people still conveyed through pictures, stationary pictures - now under your authority and your wand, pictures are moving. Go forth and move the world. Go forth and conquer the geographies and shores. Go forth and paint dreams with light in the dark. Please remember that you, as filmmakers, are the conscience keepers of society much more than politicians or religious heads and thus have more responsibility of not only diagnosing its maladies but also suggesting its remedies within the parameters of your ability and reason. Some diehard film pundits may not agree with me on this point of suggesting remedies. I leave it to your judgement. Take it or leave it. Remember, Cinema is a weapon, use it to protect society & not to maim it. Let this be your Motto.

Finally, I would like to say that Life is always a learning process – whatever may be your age and it is all the more true and apt in the case of filmmakers. Go forth, my friends, go communicate with truth and make precious your time and your space in this life. Good luck. I bless you all.

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K Balachander, the puppeteer of emotions
« Reply #10 on: December 24, 2014, 09:43:17 PM »
K Balachander, the puppeteer of emotions



Ten years ago, as part of a postgraduate project, I came to Chennai to organise a media seminar. The seminar was called Footprints (hosted by SIMC, Pune) and finding speakers for the event required us to steel ourselves against disappointment, to scrounge for contacts, and to adjust our expectations. One person who was on our original wishlist was director K Balachander, who passed away yesterday. We wanted him to inaugurate the seminar but as a bunch of college kids with limited industry experience we doubted such an iconic figure would deign to attend our event. To our surprise, he was both accessible and game to participate. We were in awe of his graciousness and generosity. Standing in the sidelines, watching this legend address the gathering was a surreal experience, particularly for those of us who had grown up watching his movies. Somehow, I found it hard to reconcile this dapper no-nonsense gentleman with the more tragic films of his oeuvre.

Often described as the creator of several "strong female characters", to me he always seemed the purveyor of a certain kind of tragic figure -- strong, good-humoured, seemingly resilient and yet thwarted in life or love (or both). Take Thamarai Nenjam (1968). Starring Saroja Devi, Gemini Ganesan and Nagesh, it features a talented, vivacious, noble young lady who fictionalises her one-sided love for her best friend's husband. Her life and the life of the character based on her become entwined to the point that she kills her character and herself in the end. Definitely melodramatic, one might say, but tragedy of this character is heightened by her apparent joie de vivre. Fast forward a few decades, and we have Sindhu Bhairavi featuring a similarly memorable female character with a less gloomy ending. And again in Kalki. Some of his most commented upon films are Arangetram, Apoorva Raagangal, Aval Oru Thodarkathai and Avargal. Again, we see unusual women - sometimes arrogant, often resilient, independent, and always sacrificing - coming to similar ends. A feminist critique of these movies would show how women who transcend certain boundaries are almost always punished with misery and/or death. But given that it is not always the woman who suffers or dies in his films -- Duet and Iru Kodugal for instance -- it appears that the common thread through many of these movies is the thwarted noble individual. Sometimes, these are people who find meaning and joy beyond the apparently conventional (Manathil Uruthi Vendum, Kai Alavu Asai) or who are seen to find themselves bigger than whatever they have sacrificed (Sindhu Bhairavi). A happy ending doesn't equate a wedding, and giving up a child is not the end of life. And yet, why do these films feel so... sad? Perhaps they speak to our own thwarted desires, our unfulfilled dreams? Perhaps they tap that part of us that the rational mind keeps hidden where feelings of hurt, of being unloved, or misunderstood or just unlucky? Feelings that we paper over with denial and good cheer and plough ahead through life with a sensible sense of proportion.

Last night, as I thought of K Balachander and the kindness I thought he had I wondered at these movies of his and how they had appealed to my gloomy teenage soul. I thought of Punnagai Mannan that I have never been able to rewatch and Manathil Uruthi Vendum that somehow always left me lifting my chin to face the world through tears. Of Server Sundaram (that he wrote) and Ethir Neechal that ended happily, but only after putting me through the wringer. Or even Parthale Paravasam, a movie that no one I know likes but for me, and the song in it that weighs down my heart (Azhage sugama) every single time.

And I thought, what of the happy films, the hilarious Thillu Mullu or Bama Vijayam or Azhagan? How about some anger for the ending of Poova Thalaya (where the mother in law is whipped for her wicked ways)? There are many things that can be said of KB's movies: his unique style of dialogue (entire scenes of Kai Alavu Manasu are in English), use of visual metaphors, themes, music and so much more. In a career spanning 50 years, having made more than 100 movies and several television shows, K Balachander was a legend for a reason. And yet thinking of his career and his movies, I could only think of catharsis. I found a website featuring episodes of Kai Alavu Manasu and speed-watched my way through the series. I had grown up with the show but for some reason had no idea how it had ended. What happened to Sharadha? Did the chemistry between her and Gururangan end as I had long hoped it would have? Was she reunited with her children? Watching the show after all these years, I found it jumpy and aged, and yet like how even a terrible Aaron Sorkin production is eminently watchable (refer: The Newsroom), I was hooked. Mid-way I had that sinking feeling. A love triangle was taking shape. Sharadha who had been through so much, who had overcome so much, was not going to have her happily ever after. I skipped 10 episodes and found the last one. As Sharadha, played by Geetha, sat on the floor clutching the telephone, and put on a brave face through her tears, despite myself, I found I was tearing up. I felt helpless at her misery and yet proud of her courage. Yes, it's a maudlin ending for a very imperfect show, but the effect was catharsis and ultimately, isn't that what art is about? I can only thank K Balachander for bringing me laughter, enjoyment but mostly, catharsis.

Offline MysteRy

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Kollywood mourns K Balachandar's demise
« Reply #11 on: December 24, 2014, 09:48:49 PM »
Kollywood mourns K Balachandar's demise



As a mark of respect to legendary film maker K Balachander, the shooting for Tamil films are cancelled today.

Also film related events including the press show of Kayal and Kappal have been cancelled by the respective production houses.

All leading stars including Rajinikanth, Vijay, Dhanush, Mani Ratnam, Ilayaraaja, Anirudh, Sarathkumar, Vivek, Karthi, Vairamuthu and many others have paid the last respect to the maverick film maker.

Balachander’s cremation will be happening around 3pm at Besant Nagar, Chennai. Mean time, Kamal Haasan is on his way from USA and it is unclear whether he will make it to the cremation of K Balachander.

Stop Press- Kamal Haasan to miss K Balachander’s funeral

We had earlier reported you that Kamal Haasan is on his way from USA to Chennai to attend the funeral of K Balachandar.

Now the latest information is that actor is unlikely to attend the funeral as he has boarded from California only by today morning.

Sources say that Kamal Haasan will be reaching Chennai by tonight and meet K Balachander’s family members to offer his condolences.

Though Kamal was introduced as a child artist, his first adult role happened to be in K Balachander’s Avargal.  KB made nearly forty films with Kamal Haasan and he has got an opportunity to direct K Balachander in his upcoming film Uttama Villain.

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Selvaraghavan requests government to build a film school in KB’s name
« Reply #12 on: December 24, 2014, 09:53:59 PM »
Selvaraghavan requests government to build a film school in KB’s name



Legendary director K Balachander (84) is no more and film personalities are continuously offering their last respect to the veteran.

Now ace director Selvaraghavan has requested the Tamil Nadu government to start a film school under K Balachander’s name. Selvaraghavan tweeted “On K B sir's memory I request our government to start a film school in chennai”.
Similarly Mahendran who directed cult classic like Mullum Malarum has also made a request that K Balachander should be cremated with Government respect and also Central Government should confer him with Bharatratna.

Popular actress Sridevi remembered K Balachander by saying that Tamil cinema and all people involved have grown in K Balachander’s shadow.

The actress tweeted “Tamil Cinema & all people involved in it including me have grown in his shadow. Condolences to his family. He shall always live in our heart”.

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Kamal describes how he looked at K.B even after 40 years
« Reply #13 on: December 25, 2014, 08:49:18 PM »
Kamal describes how he looked at K.B even after 40 years



Almost everyone from the Kollywood has paid a visit to K.B’s house since last night and it is quite unfortunate for Kamalhassan to miss his mentor’s funeral. Kamal is currently on the way to Chennai from the U.S.A, but he will be reaching the city late in the evening and said to visit K.B’s family in the wee hours of tomorrow.

Just a couple of days ago, Kamal answered Jayaram through his official video handle and described his love towards Balachander and how he still look at him like he did during ‘Arangetram’ days. At times, life isn’t fair at all for few souls, isn’t it?

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« Last Edit: December 25, 2014, 08:52:57 PM by MysteRy »

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Aamir Khan’s condolences for K.B
« Reply #14 on: December 27, 2014, 01:57:22 PM »
Aamir Khan’s condolences for K.B



Apart from being a maverick director, K. Balachander had this habit of writing a letter to the people who makes good films and Aamir Khan is one of this favourite. K.B had loads of good words to say about Aamir’s ‘Taare Zameen Par’ and both had shared the dais for the first time at the ‘Gollappudi Awards’ function in 2009.

Last year, Aamir was in town to promote ‘Dhoom 3’ and took his time to visit the veteran at his place and spent some time discussing the future of Indian cinema. The sudden demise of K. Balachander has shocked the entire industry and Aamir Khan had posted the following on his personal handle.

Mr. K. Balachander passed away on 23rd. A sad day for Indian cinema. His contribution to cinema has been immense. …And what a humble man. One of my most memorable evenings in my entire 25 years was with Mr. Balachander. …And what a humble man. One of my most memorable evenings in my entire 25 years was with Mr. Balachander.

Here’s the video of K.B praising Aamir Khan and Aamir’s, thank you note for K.B’s nice words

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